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Albrecht Durer Albrecht Durer and an unknown companion oil painting


Albrecht Durer and an unknown companion
Painting ID::  42284
Albrecht Durer
Albrecht Durer and an unknown companion
mk168 cf.139.

   
   
     

Albrecht Durer The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands oil painting


The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands
Painting ID::  42285
Albrecht Durer
The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands
mk168 162x194cm Oil on poplar wood

   
   
     

Albrecht Durer The Mantle of the pope oil painting


The Mantle of the pope
Painting ID::  42286
Albrecht Durer
The Mantle of the pope
mk168 1514 Watercolor on paper 427x288mm

   
   
     

Albrecht Durer The Manile of the Pope oil painting


The Manile of the Pope
Painting ID::  42287
Albrecht Durer
The Manile of the Pope
mk168 1514 Watercolor on paper 427x288mm

   
   
     

Albrecht Durer Head of a Weeping cherub oil painting


Head of a Weeping cherub
Painting ID::  42288
Albrecht Durer
Head of a Weeping cherub
mk168 211x167,mm

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Frederick richard pickersgill,R.A. | FERNANDES, Vasco | Eugene Giraud |


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